Thank you to my fellow storyteller and writer\u00a0Julie Threlkeld<\/a>\u00a0for asking me to take part in this Writing Round Robin Blog Tour Thingy\u2122. To read Julie’s response to the Writing Round Robin Blog Tour Thingy\u2122\u00a0and to check out her other work, click here<\/a>. So, here we go…<\/p>\n What am I working on? 1) I adapted my memoir about me and My Jailed Deaf Dad<\/a> into a solo show which I produced and performed a few months ago. I am giving it a tune up based on those shows. I’m re-thinking the ending mostly and trimming off the fat in other parts. Maybe I’ll enter it into a festival or keep taking it to colleges if they’ll have me.<\/p>\n 2) I’ve got a new solo show idea in mind about my love for David Lee Roth<\/b> and how he became my spiritual advisor when I was a vulnerable teenager. I’m calling it “The Book of David” or “The Gospel of David” and the show will be like attending church service but with Diamond Dave as my lord and savior. I think it could be funny, charming and, believe it or not, insightful. We’ll see. I plan to enter it into the next SoloCom<\/a> or another festival for new works.<\/p>\n 3) This summer, I’m taking a class on TV writing. I’ve got in mind a sitcom pilot but need to get some book learnin’ under my belt. I’ve never considered myself a writer and, even after banging out a memoir, still don’t. It’s not the thing that makes my motor hum the way producing and performing do. But without a script, I’ve got nothing to produce. Hence the class. It’s mostly for fun but I never thought I’d get a book deal from telling stories for fun in Ochi’s Lounge, so who knows?<\/p>\n How does my work differ from others of its genre? Why do I write what I do? How does my writing process work? So that’s it for me. Thanks, Julie, for tagging me! Next up on the are these terrific people:<\/p>\n DAVID DICKERSON<\/b><\/a>\u00a0is a writer, humorist, video blogger, teacher, editor, storyteller, and radio performer. I vividly remember the first time I met him in Ochi’s Lounge, the space I ran in the basement of Comix. That’s how instantaneously charming, smart as a whip and nicer than most he is.\u00a0David\u2019s writing has appeared in\u00a0The Atlantic Monthly, Story Quarterly, The Gettysburg Review,<\/i>\u00a0and\u00a0Year\u2019s Best Fantasy and Horror<\/i>. In 2009, he released\u00a0his greeting card memoir,\u00a0House of Cards<\/span><\/i><\/a>, which is currently in development as a sitcom with USA. He is now working on his next book, a road trip\/travel narrative tentatively titled\u00a0Tomorrow Might Suck Less<\/i>.<\/p>\n JENNIFER TRESS<\/b><\/a>\u00a0is vibrant, intelligent, has the best laugh and is one fiercely driven lady. \u00a0She’s the author of the memoir\u00a0You\u2019re Not Pretty Enough<\/i><\/a>.\u00a0<\/i>Though the book is a collection of funny, heartfelt stories, the title story refers to something her ex-husband said to her as the\u00a0reason\u00a0<\/i>he was having an affair (which is why, ahem, he’s her ex-husband).\u00a0<\/i>She is also a speaker and the founder of the Project by the same name, which is aimed at building higher self-esteem by providing a forum and discussions around beauty norms and their impact on the individual.<\/p>\n JENN DODD<\/strong><\/a>\u00a0and I had the same high school drama teacher back in Texas exactly 10 years apart and now we both live in Queens. She writes more sketches and characters than anyone I know. Her solo show No Show: A One Woman Show<\/em> won the\u00a0Best of Studio Award at the “Out of the Loop” Fringe Festival last month and Jenn has been a finalist in the Andy Kaufmann Awards. She is a graduate of Circle in the Square Theatre School, in the cast of the off-Broadway hit The Gong Show LIVE in which she plays multiple original characters, and is a member of The Final Edition Radio Hour<\/a>. You can see her live every month at the The People’s Improv Theatre<\/a> where she hosts\u00a0the monthly character showcase Buttski & Glasscock’s New Talent Blow Out.<\/p>\n","protected":false},"excerpt":{"rendered":" Thank you to my fellow storyteller and writer\u00a0Julie Threlkeld\u00a0for asking me to take part in this Writing Round Robin Blog Tour Thingy\u2122. To read Julie’s response to the Writing Round Robin Blog Tour Thingy\u2122\u00a0and to check out her other work, click here. So, here we go… What am I working on? Good question! If bingeing on seasons one through three of Game of Thrones so that I’m caught up and the Internet can no longer ruin it for me is “work”, then that’s what I’m working on. During my downtime (a\/k\/a “As the HBO Go App’s Wheel Turns”), I’m tinkering on a few things. 1) I adapted my memoir about me and My Jailed Deaf Dad into a solo show which I produced and performed a few months ago. I am giving it a tune up based on those shows. I’m re-thinking the ending mostly and trimming off the fat in other parts. Maybe I’ll enter it into a festival or keep taking it to colleges if they’ll have me. 2) I’ve got a new solo show idea in mind about my love for David Lee Roth and how he became my spiritual advisor when I was a vulnerable teenager. I’m calling it “The Book of David” or “The Gospel of David” and the show will be like attending church service but with Diamond Dave as my lord and savior. I think it could be funny, charming and, believe it or not, insightful. We’ll see. I plan to enter it into the next SoloCom or another festival for new works. 3) This summer, I’m taking a class on TV writing. I’ve got in mind a sitcom pilot but need to get some book learnin’ under my belt. I’ve never considered myself a writer and, even after banging out a memoir, still don’t. It’s not the thing that makes my motor hum the way producing and performing do. But without a script, I’ve got nothing to produce. Hence the class. It’s mostly for fun but I never thought I’d get a book deal from telling stories for fun in Ochi’s Lounge, so who knows? How does my work differ from others of its genre? Since my work is all autobiographical –blogging, solo shows, memoir– it is uniquely mine \u00a0by default. While our stories are universal, they come from our own experiences and points of view. I’d say my POV uses sarcasm and humor to counter some of the more brutal or sad stuff. Lately, thankfully, not much has been sad…just bizarre when it comes to living in NYC, having a comedian husband and a deaf dad in a Texas prison. Why do I write what I do? I was given a treasure trove of material to write with the family and life experience I got. I’d be a fool not to! Also, as a hearing kid in a deaf family, I was often serving as an interpreter and told what to say and how to say it. Having a mom who hated her private business being fodder for Deaf community gossip emphasized this even more. She gave me frequent warnings of not to tell anyone –even family– about stuff. Writing about my life with no boundaries or strict rules or fear is very liberating. The truth sets you free, yada, yada, yada.\u00a0I’ve considered writing fiction but it’s a bit of an enigma to me. The endless possibilities overwhelm rather than excite me. And the fiction that I’ve thought about writing is all based on true events, so\u2026yeah. How does my writing process work? By deadlines. Without deadlines I do not write. Once I have a deadline, I generally meet it.\u00a0I took a playwriting class last summer during which I banged out my solo show. Since the show was based on my memoir, I wasn’t writing from scratch and it should be a cinch, right? But I had no deadline looming over me to say I need this script by X date. By signing up for the class, I was able to accomplish that goal. During the thick of writing my first draft of my memoir, I spent a lot of time cleaning house. Scrubbing, washing, dusting, organizing are all ways I free my mind to wander. There’s a lot of talking to myself, acting out, crying, yelling, laughing. Saying things out loud are important, especially if done in front of an audience. So I sign up for a lot of open mike type storytelling shows and work on my pieces that way as well. So that’s it for me. Thanks, Julie, for tagging me! Next up on the are these terrific people: DAVID DICKERSON\u00a0is a writer, humorist, video blogger, teacher, editor, storyteller, and radio performer. I vividly remember the first time I met him in Ochi’s Lounge, the space I ran in the basement of Comix. That’s how instantaneously charming, smart as a whip and nicer than most he is.\u00a0David\u2019s writing has appeared in\u00a0The Atlantic Monthly, Story Quarterly, The Gettysburg Review,\u00a0and\u00a0Year\u2019s Best Fantasy and Horror. In 2009, he released\u00a0his greeting card memoir,\u00a0House of Cards, which is currently in development as a sitcom with USA. He is now working on his next book, a road trip\/travel narrative tentatively titled\u00a0Tomorrow Might Suck Less. JENNIFER TRESS\u00a0is vibrant, intelligent, has the best laugh and is one fiercely driven lady. \u00a0She’s the author of the memoir\u00a0You\u2019re Not Pretty Enough.\u00a0Though the book is a collection of funny, heartfelt stories, the title story refers to something her ex-husband said to her as the\u00a0reason\u00a0he was having an affair (which is why, ahem, he’s her ex-husband).\u00a0She is also a speaker and the founder of the Project by the same name, which is aimed at building higher self-esteem by providing a forum and discussions around beauty norms and their impact on the individual. JENN DODD\u00a0and I had the same high school drama teacher back in Texas exactly 10 years apart and now we both live in Queens. She writes more sketches and characters than anyone I know. Her solo show No Show: A One Woman Show won the\u00a0Best of Studio Award at the “Out of the Loop” Fringe Festival last month and Jenn has been a finalist in the Andy Kaufmann Awards. She is a graduate of Circle in the Square Theatre School, in the cast of the off-Broadway hit The Gong Show LIVE in which she plays multiple original characters, and is a member of The Final Edition Radio Hour. You can see her live every month at the The People’s Improv Theatre where she hosts\u00a0the monthly character showcase Buttski & Glasscock’s New Talent Blow Out.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1,4,41,30],"tags":[],"_links":{"self":[{"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/posts\/6036"}],"collection":[{"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/comments?post=6036"}],"version-history":[{"count":9,"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/posts\/6036\/revisions"}],"predecessor-version":[{"id":6096,"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/posts\/6036\/revisions\/6096"}],"wp:attachment":[{"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/media?parent=6036"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/categories?post=6036"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kambricrews.com\/wp-json\/wp\/v2\/tags?post=6036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/b>Good question! If bingeing on seasons one through three of Game of Thrones<\/b> so that I’m caught up and the Internet can no longer ruin it for me is “work”, then that’s what I’m working on. During my downtime (a\/k\/a “As the HBO Go App’s Wheel Turns”), I’m tinkering on a few things.<\/p>\n
\n<\/b>Since my work is all autobiographical –blogging, solo shows, memoir– it is uniquely mine \u00a0by default. While our stories are universal, they come from our own experiences and points of view. I’d say my POV uses sarcasm and humor to counter some of the more brutal or sad stuff. Lately, thankfully, not much has been sad…just bizarre when it comes to living in NYC, having a comedian husband and a deaf dad in a Texas prison.<\/p>\n
\n<\/b>I was given a treasure trove of material to write with the family and life experience I got. I’d be a fool not to! Also, as a hearing kid in a deaf family, I was often serving as an interpreter and told what to say and how to say it. Having a mom who hated her private business being fodder for Deaf community gossip emphasized this even more. She gave me frequent warnings of not to tell anyone –even family– about stuff. Writing about my life with no boundaries or strict rules or fear is very liberating. The truth sets you free, yada, yada, yada.\u00a0I’ve considered writing fiction but it’s a bit of an enigma to me. The endless possibilities overwhelm rather than excite me. And the fiction that I’ve thought about writing is all based on true events, so\u2026yeah.<\/p>\n
\n<\/b>By deadlines. Without deadlines I do not write. Once I have a deadline, I generally meet it.\u00a0I took a playwriting class last summer during which I banged out my solo show. Since the show was based on my memoir, I wasn’t writing from scratch and it should be a cinch, right? But I had no deadline looming over me to say I need this script by X date. By signing up for the class, I was able to accomplish that goal. During the thick of writing my first draft of my memoir, I spent a lot of time cleaning house. Scrubbing, washing, dusting, organizing are all ways I free my mind to wander. There’s a lot of talking to myself, acting out, crying, yelling, laughing. Saying things out loud are important, especially if done in front of an audience. So I sign up for a lot of open mike type storytelling shows and work on my pieces that way as well.<\/p>\n